The Charles Hamilton Houston Institute for Race and Justice at Harvard Law School has released a report, authored by Chike Croslin ’16, Justin Dews, and Jaimie McFarlin ’15 of the Harvard Black Law Students Association, titled Independent Lens: Toward Transparency, Accountability, and Effectiveness in Police Tactics. The report explores the potential and limitations of body-worn cameras for police.
After their warnings about excesses and corrupt practices on Wall Street went unheeded but proved accurate, former FDIC Chair Sheila Bair, former SEC Chair Mary Schapiro, and Sen. Elizabeth Warren, formerly a bankruptcy professor at Harvard Law School, set about trying to institute meaningful financial reforms from inside federal agencies and through politics.
When HLS Professor Lawrence Lessig was named as the director of the Edmond J. Safra Center for Ethics at Harvard in 2008, he announced his intention to create a limited-time project to research the problem of institutional corruption in the U.S. He launched that project, the Edmund J. Safra Research Lab, in 2010, as a […]
Vera Mironova, a graduate research fellow at Harvard Law School’s Program on Negotiation, was one of the lead authors of the “Voices of Syria” project, which covered topics such as current living situations, safety concerns, the future role of religion — among other key issues in Syria’s government. Mironova, a fifth-year year Ph.D. candidate at the University of Maryland, oversaw and coordinated the operation on the ground. Her goal: to capture the civil war in its most raw form.
Harvard Law School Professor Adrian Vermeule ’93 is the co-editor of a new online review of books, The New Rambler. Co-edited by Vermeule, Stanford University Professor Blakey Vermeule and University of Chicago Law Professor Eric Posner, The New Rambler publishes reviews of books about ideas, including literary fiction.
On March 6, Harvard Law School’s Charles Hamilton Houston Institute for Race and Justice hosted Dying While Black and Brown, a dance performance focused on capital punishment and the disproportionate numbers of incarcerated people of color. The performance was first commissioned by the San Francisco Equal Justice Society as part of the society’s campaign to restore 14th Amendment protections for victims of discrimination, including those on death row.